Kurt Heuser
Kurt Heuser (23 November 1903 – 20 June 1975) was a German screenwriter.[1]
Kurt Heuser | |
|---|---|
| Born | 23 November 1903 |
| Died | 20 June 1975 (aged 71) |
| Occupation | Writer |
| Years active | 1934-1967 (film & TV) |
Early in his career he wrote Schlußakkord (Final Accord or better Final Chord), a German film melodrama of the Nazi period.[2]
Selected filmography
- Love, Death and the Devil (1934)
- One Too Many on Board (1935)
- Schlußakkord (1936)
- Port Arthur (1936)
- A Strange Guest (1936)
- Condottieri (1937)
- To New Shores (1937)
- Red Orchids (1938)
- Liberated Hands (1939)
- Midsummer Night's Fire (1939)
- The Three Codonas (1940)
- The Girl from Fano (1941)
- Rembrandt (1942)
- Paracelsus (1943)
- The Trial (1948)
- Maresi (1948)
- Bonus on Death (1950)
- Call Over the Air (1951)
- The Sergeant's Daughter (1952)
- The Great Temptation (1952)
- Alraune (1952)
- A Life for Do (1954)
- André and Ursula (1955)
- Before God and Man (1955)
- I Was All His (1958)
- The Forests Sing Forever (1959)
- Every Day Isn't Sunday (1959)
- Carnival Confession (1960)
- Girl from Hong Kong (1961)
- Our House in Cameroon (1961)
- Via Mala (1961)
- The Gentlemen (1965)
References
- Rentschler p.180
- Sabine Hake, Popular Cinema of the Third Reich, Austin: University of Texas, 2001, ISBN 9780292734579, p. 246, note 4: the title "refers to a musical term" whereas that of Sierck's 1939 French-language Accord Final can also mean "concluding agreement".
Bibliography
- Rentschler, Eric. The Ministry of Illusion: Nazi Cinema and Its Afterlife. Harvard University Press, 1996.
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